// INVESTIGATIVE MOVEMENT PRACTICES (IMP) //
IMP Classes and workshops are taught by leading movement practitioners and reflect current developments in the field of contemporary dance. Each series takes a multi-faceted approach that integrates technique and creative process.
Wednesday Workshop Series / 6-8PM Kawasaki
$15 drop-in / buy a class series for just $10/class
SEPT 11-OCT 16, 2013
Louis Gervais: Dancing Energy Systems
When we look beyond our visible, physical bodies, we can see ourselves as energy and information. From this alternate standpoint, we resemble a chain of interconnected centers or chakras that are in constant motion as our life force energy flows in, out and throughout our bodies. Through improvisation, visualization and somatic exploration, we can create powerful personal relationships with the invisible and ever-changing energetic Self. Working with gesture and story, we describe shapes and pathways of these centers. Through rhythm and breath, we can sense the distinctly different qualities of energy throughout the body and beyond. Creative exploration and knowledge of the chakra system not only enhances self awareness and movement quality, it can also vitalize yoga and other practices as well.
Louis Gervais brings 40 years of dance experience and creativity to his teaching. Louis has performed with Compagnie Marie Chouinard among many other professional companies. Louis’ teaching work combines improvisation with transcendent dance practices and Eastern philosophy within a somatic framework.
OCT 23-NOV 27, 2013
Christian Swenson: Becoming Animal
“For art to appear, we must disappear.” – S. Nachmanovitch
Who or what are we when we’re not ourselves? How can we imitate the Other with accuracy and deep regard for the spirit of each different being? In this class we will practice the ancient art of animal imitation as movement artists, scientists and shamans. We will carefully morph ourselves (hands, spines, faces, eyes and voices), enact predator/prey relationships, create creature-characters and observe their behavior and interactions. Learn how to disappear yourself without costume or make-up, and notice how and why this is humorous, beautiful and scary.
Christian Swenson has an uncanny ability to shape-shift his body and voice to imitate creatures from this world and beyond. For 30 + years he has been performing and teaching around the Northwest and the rest of the world. He is known for his pioneering work in what he calls “Human Jazz”, a global fusion of dance/drama/music for body and voice. In 1977 he received a BA in Theater from the University of New Hampshire and moved to Seattle to work with the Bill Evans Dance Company. Further training has included work with Tony Montanaro; Diane Schenker; Ruth Zapora; Korean shaman, Hi-ah Park, and with the late Pakistani master-singer, Nusrat Fateh Ali Khan. He has performed with Bill Irwin, The Seattle Symphony Orchestra, and The Jay Clayton/Jim Knapp Collective and in Europe with Jim Nollman of Interspecies Communication Inc. He presently teaches in the Theater programs at Seattle University and Bellevue Community College. Christian has received Fellowships from the National Endowment for the Arts, Washington State Arts Commission and Artist Trust of Washington. He resides happily in Seattle with his wife, Abigail, and two children.
Stephanie Skura: Open Source Forms (OSF): Freedom + Rigor + Courage
Fluidly expanded from Skinner Releasing Technique (SRT), Skura developed Open Source Forms (OSF) after 12 years as a member of the SRT Institute’s core faculty, and decades of radical performance practice.OSF is about cross-fertilizations and deep commonalities of SRT and creative process: a technique that includes shedding outer layers, finding primal energy, agility navigating subconscious realms, and imagery as powerful tool for transformation. Skura draws on her research and practice in improvisation and innovative composition techniques, and her extensive background in SRT. Her teaching derives from a rehearsal process that celebrates diversity, collaboration, and individual empowerment. These sessions offer methods to access conceptual and creative freedom, specificity, courage and honesty in movement, vocal practice and performance. With juicy experiments finding surprising pathways between conscious and subconscious, movement and voice, witnessing and participating. Bring paper and pens for writing and drawing.
Stephanie Skura, ”reliably irreverent” Bessie award-winner, is a choreographer, director, performer, mentor, teacher, teacher-trainer, writer, innovator. She has toured professionally for three decades in 13 countries and 30 states. Her current work takes an innovative approach to language and voice, continuing investigations of boundaries and intersections of dance, theater, poetry and performance. Her involvement with permaculture and naturopathy supports a dedication to catalyzing creative process in a holistic and collaborative way, with a deep respect for individual diversity and subconscious realms. She holds a BFA and MFA in Dance from NYU Tisch, and directs Open Source Forms Teacher Certification Program.stephanieskura.com
PAST 2013 IMP series
JAN 9 – FEB 13, 2013
Lucia Neare: RINGING THE BONES: Exploratory Sound-Making
Jump into the New Year by ringing your bones! Explore sound-making from a playful, whole-self perspective. Discover your unique and powerful vocal instrument. We’ll dive into vocal anatomy, body mapping and the athletics of moving air, we’ll unearth resonant territories, we’ll map the geography of vowels and the choreography of words. Let’s get lost in sound and find our voices by ringing our holy bones. This class is not about making pretty sounds (though there may be some of those); this class is about exploring your voice. These holistic, experimental, and sound-loving classes are open to all, including the vocally curious, shy, and terrified. All are welcome. Please bring a journal.
Lucia Neare is the Mayor’s Arts Award Winning creator of the beloved site-specific theatrical wonder, Lulluby Moon. Her free, large-scale, site-specific works have inspired thousands. A classical singer, sculptor, designer, director, performer, and producer, she is artistic director of Lucia Neare’s Theatrical Wonders. Neare has received commissions and support from organizations such as 4Culture, Artist Trust, the Office of Arts and Cultural Affairs, Seattle Art Museum, Olympic Sculpture Park, On the Boards, Seattle City Light, SAFECO, and Seattle Parks and Recreation. Lucia received the 2008 Artist Trust/Washington State Arts Commission Fellowship, Seattle Magazine’s 2008 Spotlight Award, and the Mayor’s Office of Arts and Cultural Affairs 2007 CityArtists Award. Neare studied theater and contemporary performance at Naropa University and is a graduate of Mount Holyoke College.
FEB 20 – MAR 27, 2013
Louis Gervais: Exploring Contact
In this class, we will explore the interpersonal relationship that arises when we dance with one another. Whether we are dance partners or life partners, a highly personal sense of self is being communicated when we move together. Exploring intimacy, sensitivity, listening, and curiosity, we will dive into this inner landscape focusing on partnering from the inside out. Working from inside to outside, we will discover how the inner connection is reflected in the dance that comes out into space. This class is great for beginners and even non-dancers who are interested in exploring Contact Improvisation and partnering skills.
Louis Gervais, former member of Compagnie Marie Chouinard, has been exploring the intersection of improvisation, intimacy and spirituality for more than 20 years. His explorations have led to numerous course offerings such as: Chakra Balancing, Dancing Energy Systems and Men in Contact. With a focus in somatic studies, Louis received his MFA in dance from the University of Washington in 2009.
APR 3 – MAY 8, 2013
Alia Swersky: Sensation into Play into Design
Moving from sensation we will follow our instincts and be guided by what is already happening in our bodies. We will tap into what is primal to access multiple layers of our innate creative wisdom. In essence, engaging our inner world to release the subconscious into physicality, play and compositional design. Through a dynamic physical collaboration of the senses, along with attention to image, space and touch, we will gently interweave internal and external awareness to create solos, duets, and ensemble dancing.
Alia Swersky is a movement artist, performer and teacher, engaged deeply in the vital act of dance improvisation. She graduated from Cornish College of the Arts in 1998 with a BFA in dance and now teaches as part of the creative process curriculum at Cornish as an adjunct faculty member since 2005. Swersky has taught at Velocity’s Strictly Seattle Festival and the Seattle Festival of Dance Improvisation (SFDI). She was a long time Co-artistic director of Dance Art Group (DAG), a non-profit organization that promotes the practice and appreciation of dance and somatic education in the Seattle area, including the Seattle Festival of Dance Improvisation. Alia has taught yoga continuously for over 10 years and invites this influence into her dance work and teaching. Other influences include contact improvisation, release/somatic techniques, Authentic Movement, Tuning Scores, Aikido, Buddhist meditation, and many pivotal dance partners and teachers. Alia danced and toured nationally and internationally as a member of the LeGendre Performance Group. She has also collaborated and performed in the works of many Seattle artists including The Maureen Whiting Company, Khambatta Dance Company, Jurg Koch, KT Niehoff of Lingo Dance, and Salt Horse. Alia has been actively performing, and creating improvisational and choreographic works in Seattle since 1998.
MAY 15 - JUNE 19, 2013
Alice Gosti: Say Yes
A movement and imagination workshop against self-censorship and judgment. We will be working on the idea that one’s body has inspiration of it’s own and it is connected to one’s imagination. What if we think about our signature movement not as something that we need to avoid and get rid of, but as an unfinished sentence that we never allowed ourselves to deeply and completely realize? What if we give permission and say – yes – to all of the random impulses and images that pop into our imaginations? What if instead of tricking the mind into being distracted, we trusted the bodies’ mind? No, I am not a ‘non-conformist of the 1960s’, I am a punk that loves airplanes and airports and thinks that we give too much power to our minds, that’s all. Come to class.
The exercises and tools that will be used in this class are the same that Spaghetti CO. has used in the creation of the first two chapters of the Spaghetti CO. saga - Something just happened at 1:19 pm and Are you still hungry?. This class is open to people interested in movement and imagination, dance experience is not necessary.
Alice Gosti is a 27 year old space transformer, dancer, choreographer, performer, filmmaker. She was born and raised in Perugia, Italy, and is the daughter of the dynamic art duo Sandford&Gosti. She trained in her hometown at Ass. Culturale Dance Gallery with Rita Petrone and Valentina Romito, and graduated in 2008 with a B.A. in Dance from the UW. Alice has performed in works by Paige Barnes, Carolyn Carlson, Bruno Collinet, Jane Comfort, Laara Garcia, Mark Haim, Tonya Lockyer, Keith Hennessy, Monica Mata Gilliam, Tiffany Mills, Amy O’Neal, Fritha Pingelly, Jennifer Salk and Ellie Sandstrom. This year she has received – the Vilcek Prize for Creative Promise in Dance 2012 and Dance Web Scholarship 2012 for ImPuls Tanz in Vienna.