
OUT THERE
a west coast experimental dance festival
Velocity’s Regional Creative Incubator
WEEK I OCT 2-4 | 7:30 PM
WEEK II OCT 9-11 | 7:30 PM
12th Ave Arts Studio | 1620 12th Ave, Seattle, WA 98122
Bundle and save on tickets with the OUT THERE Festival Pass! 4 Dance works over 2 weekends, 1 whole festival of performance <3
What is OUT THERE?
DANCE! The final frontier…
OUT THERE is an experimental dance festival featuring West Coast dance artists who fearlessly push boundaries by making their wildest ideas happen on stage. These artists are here to f*ck shit up, and show us what is OUT THERE.
OUT WHERE? Not OVER there. HERE! OUT HERE! On the West Coast, where experimentalism has always been a primary making material of the artists who live here, pushing our region towards a more connected, sassier, imaginative, expansive, expressive, engaging, intuitive, sweaty, and collaborative future!
No limitations, the possibilities are boundless! *trumpets blare*
Come watch these choreographers’ new dance works over two weeks– two different weekends and two different lineups made just for you!
Quickly! Look to the skies and summon the mothership! You’ll be absolutely wrecked (in a fun way) by the energy of West Coast Dance with shows, music, and great drinks. Get your tickets today so that you can say… “Those dance shows were f*cking OUT THERE!”
Applications for artists will open in Winter 2025 and Artists will be announced in Spring 2025.
The nightly schedule for each performance includes:
PREVIBRATIONS | 6PM – drinks + music
OUT THERE DANCE SHOW | 7:30PM – two, 30-minute works by two West Coast movement artists
AFTERGLOW | 8:30PM – a party featuring drinks, DJ for dancing and post show conversation at Velocity’s popup bar

WEEK 1 // maia melene durfé (SEA)
a crisis of standing
PROGRAM SUPPORT
OUT THERE is a core residency program, and supported by the Raynier Foundation along with Velocity’s season sponsors and community of individual donors. Interested in joining the community of support to make the Bridge Project possible? Contact erin@velocitydancecenter.org to learn how you can be involved.

ACCESSIBILITY INFORMATION
12th Ave Arts is fully accessible for wheelchairs and walkers. The lobby and bathrooms are at street level, and seating is available without the need for an elevator or stairs. The venue is also equipped with an Assistive Listening Device.
West Coast Performance Festival Partners
West Coast Performance Festival Partners is a list of like minded festivals across the West Coast of the US who are interested in promoting the sharing of performance work in their regions. This goal of the partnership is to provide a scaffolding for West Coast, experimental performance artists to broaden the scope of their work, build more sustainable careers in the arts, and make long lasting, regional connections. Interested in becoming a partner? Email shane@velocitydancecenter.org
Risk/Reward's festival of new performance
Since 2008, Risk/Reward has been engaging in community curation of pieces that push the boundaries of performance. The Festival of New Performance presents 4 to 6 pieces as part of our Festival Mainstage production, alongside site specific, installation, and other non-traditional pieces. Performances for the festival are under 20 minutes, by creators residing in (or with deep ties to) the Pacific Northwest region, and are pieces in some form of development.
We pride ourselves on offering a high degree of professionalism and polish in our dealings with artists, and provide robust technical, administrative, and marketing support for artists. We provide photos and video of all mainstage pieces. We are hoping to provide some degree of rehearsal space in Portland for our mainstage artists in 2025.
How is this program curated?
Risk/Reward convenes a panel of approximately 6 regional artists, administrators, and taste-makers with experience in the contemporary art field to select the pieces for the Festival mainstage from among the applications. While the Festival Director and Producing Artistic Director for Risk/Reward serve on the panel, the rest of the panelists change each year.
What is the Application Schedule?
In 2025, applications will be open for the month of January.
Applications will be selected and all artists notified by the end of March.
Artists announced at the end of April.
The festival itself is in the second half of June.
All over the map
All Over The Map is a mini outdoor dance festival taking place at the Picnic Pavilion on Granville Island, Vancouver BC each summer. Building on New Works and CMHC Granville Island’s 20+ year partnership, All Over The Map is a fun, family-friendly performance series that features a mixed program of 10 – 12min works from a diversity of dance and movement artists. It is a great opportunity for emerging artists who are looking for new opportunities to share their work, and has a long history of supporting cultural practitioners who are exploring the bounds between cultural and contemporary forms.
All Over The Map is presented in a non-traditional performance space; work is performed in an outdoor, covered area, on a concrete floor. New Works is not able to support lighting or projection requests given the venue. A PA system will be set up to support playback and limited live music. The series will be presented one Sunday in July and one Sunday in August, featuring 8 artists who perform twice over the course of the afternoon. Both technical rehearsal and performances are wrapped into one day, making it a very manageable performance opportunity for local and out of town artists alike.
How is this program curated?
All Over The Map is a mini outdoor dance festival taking place at the Picnic Pavilion on Granville Island, Vancouver BC each summer. Building on New Works and CMHC Granville Island’s 20+ year partnership, All Over The Map is a fun, family-friendly performance series that features a mixed program of 10 – 12min works from a diversity of dance and movement artists. It is a great opportunity for emerging artists who are looking for new opportunities to share their work, and has a long history of supporting cultural practitioners who are exploring the bounds between cultural and contemporary forms.
All Over The Map is presented in a non-traditional performance space; work is performed in an outdoor, covered area, on a concrete floor. New Works is not able to support lighting or projection requests given the venue. A PA system will be set up to support playback and limited live music. The series will be presented one Sunday in July and one Sunday in August, featuring 8 artists who perform twice over the course of the afternoon. Both technical rehearsal and performances are wrapped into one day, making it a very manageable performance opportunity for local and out of town artists alike.
How is this program curated?
All Over The Map applications are curated by the New Works staff team following the advice of an independent Advisory Committee of professional Vancouver-based dance artists. Each application will be scored against selection criteria as detailed in the call for applications, and the highest scores will advance to a discussion stage. From there, the Advisory Committee will recommend 8 artists for selection, keeping in mind selection criteria and how they complement each other as a mixed program.
What is the Application Schedule?
Call for applications usually open in December and close in mid-January. We also aim to host an online info session within that time period for applicants who have questions.
Results will be communicated by end of March, and performance opportunities take place in July and August each year.
fact/sf summer dance festival
The FACT/SF Summer Dance Festival is one of FACT/SF’s Fieldwork programs. The Festival spans two weekends in mid-August in San Francisco, and brings together an array of contemporary dance works by choreographers from the Bay Area and beyond. The purpose of the Festival is to juxtapose a variety of works to spur dialogue, support artists and artistic growth, and present to audiences a range of perspectives.
In a typical year, FACT/SF invites six choreographers/groups to share work. One choreographer/group is often invited to share a longer work (in the 30-45 minute range) in the Festival’s first weekend, and five choreographers/groups are invited to share shorter works (in the 10-20 minute range) in the Festival’s second weekend. FACT/SF shares its own work on both weekends alongside the curated artists. All choreographers/groups are paid to participate, and FACT/SF provides a small travel stipend for choreographers/groups traveling from outside of the San Francisco Bay Area. Of the six curated choreographers/groups, 2-3 are typically from the Bay Area and 3-4 are typically from other regions.
How is this program curated?
The FACT/SF Summer Dance Festival is curated by an 8-person panel via an open application process. All applying artists are paid $30 to apply for approximately one hour of work. The application process is a simple Google form + a 30-minute conversation with two of the panel members.
What is the Application Schedule?
Applications typically open in September for the upcoming festival. The 30-minute conversations between the artist and the panel happens the first two weeks of October, the curatorial meeting happens right after the conversations have concluded, and notifications are sent out during the third week of October.

Amy O’Neal is a dancer, choreographer, curator, and dance educator. A sought-after artist for over two decades, she teaches and performs nationally and internationally and choreographs for live performance, dance film, music video and virtual reality. From 2000 to 2010, along with musician and composer Zeke Keeble, O’Neal co-directed locust, an experimental multidisciplinary video, music, and contemporary dance company. Inspired by hip-hop culture and experimental cinema, locust‘s work created social commentary with humor and heavy beats. From 2010 until now, she creates experimental dance work merging Black social dance practices from hip-hop and house culture and contemporary dance while directly addressing race, gender and the sampling nature of innovation. She premiered her first evening-length solo in 2012 where she examined her influences, questioned her relationship to Blackness as a white woman, and paid homage to her teachers and dance heroes. As a practicing guest of Black dance culture, she has participated in experimental and all-styles battles, co-organized and co-produced Seattle House Dance Project, and developed hip-hop curriculum for the University of Washington. Her passion and research meet at the intersection of the hip-hop, house and contemporary dance communities. Within this intersection she explores the complex differences, nuances and layers of hybridized movement vocabularies. For example, in her eighth evening-length work, Opposing Forces, O’Neal and five Seattle-based B-Boys explored fears of feminine qualities in our culture through the hyper-masculine form of Breaking. Opposing Forces toured from 2014 to 2017, and an award-winning documentary about the show called How it Feels premiered in 2019. City Arts Magazine wrote, “O’Neal synthesizes complex themes with a cohesive, penetrating aesthetic. Her latest work transcends disciplines and boundaries. It is a bridge between worlds, a translator for opposing points of view, a force for good.”
O’Neal is a grantee of Creative Capital, National Performance Network, National Dance Project, Mid Atlantic Arts Foundation, Foundation for Contemporary Arts, Artist Trust, and 4 Culture. She is a two-time Artist Trust Fellow, DanceWEB/ImpulsTanz scholar and Herb Alpert Award nominee with a BFA from Cornish College of the Arts, where she was awarded the first Distinguished Alumni Award in 2014. While at Cornish, she danced and toured with the Pat Graney Company from 1998 to 2001and Scott/Powell Performance from 1997-2004. . O’Neal has been an Artist in Residence at Bates Dance Festival, Headlands Center for the Arts, the US/Japan Choreographer’s Exchange, and Velocity Dance Center. Since 2001, she has worked both on stage and screen with musician/comedian, Reggie Watts, former band leader for “Late Late Show with James Corden.” She has improvised with Watts in NYC comedy clubs, toured together in original stage shows, choreographed his iconic 2010 Comedy Central video F…, S… Stack, and in 24 hours, created an evening-length dance/music show with him. Along with NYC based artist Ani Taj, she co-choreographed Runnin’, a virtual reality music video for Watt’s Wajatta project with electronic music artist John Tejada. Runnin’ premiered at the New Frontier VR showcase at Sundance Film Festival and won Best Interactive at SXSW in 2019. Also in 2019, she choreographed a virtual reality project for Procter & Gamble promoting more diversity in productions for the advertising and film industries called Look Again which premiered at Cannes Lions Festival in France.
After 20 years in Seattle, O’Neal relocated to Los Angeles in 2016 and started The Rhythm Assembly, a freestyle techniques class merging the social and exploratory natures of hip-hop and contemporary dance at Ryan Heffington’s studio, The Sweat Spot, which closed in 2020. She joined the faculty of the University of Southern California Glorya Kaufman School of Dance in 2018 where she teaches hip-hop, house and freestyle techniques, composition and improvisation, contemporary dance, and lectures on Black social dance history, practice, and media literacy. She feels the most at peace when she can embody her full human experience as an artist and is passionate about creating space for others to do the same.
Curator Bios
Erin O’Reilly, executive director
Shane Donohue, creative producer
AMY O’NEAL, Curating Artist in residence
Joseph Hernandez, Communications manager

“I am a creative producer, development professional, dance artist + arts advocate, committed to finding thoughtful ways to build structures of support and advocacy for Seattle’s diverse dance community. I have ten years of experience developing and producing dance work in Seattle, Portland and in the UK. Areas of expertise: artist-led community-driven programming, artist support + sustainability, incubation and project building, community partnerships, and coordinating experiences that bring people together in public spaces.”

Joseph Hernandez is a choreographer and writer based in Seattle, Washington. His work as a choreographer has been presented by The Joyce NYC, Festspielhaus Hellerau, The Semperoper Dresden, Les Ballets de Monte Carlo, Theatre St. Gallen, and Whim W’Him Contemporary Dance Seattle, Staatstheater Nürnberg among others. His work The Lavender Follies was filmed for European Television by ZDF Deutschland and has now been disseminated worldwide. He has taught at SUNY Purchase College, Dance Arts Faculty (Rome), and Cornish College of the Arts, well as the Royal Danish Ballet, and Artof (Zurich) summer courses. He served as a founder and jury member for Tanznetz Dresden’s STUDIO ROUND, curating showings and performances/discussions by creators from all over Europe. His installation series Nielsson Conversations was hosted by S T O R E Contemporary in Dresden, Germany. In addition to his freelance work, he was appointed Associate Choreographer at the Northwest Dance Project from 2022-2024. He left Portland in 2024 to work at Velocity Dance Center full time and to advocate for off-the-wall performance in the PNW.
www.bluescreencontemporary.com
*Photo By Alice Blangero

Shane Donohue is a Seattle based dance artist currently working as co-top with Drama Tops. He works closely with zoe | juniper as a dancer and rehearsal director. He has set work with, and for, Zoe Scofield at the University of Washington, Strictly Seattle, Whim W’him, Bard Summerscape’s production of “Le Roi Arthus” in 2021. His work has been seen in Next Fest Northwest. He also works as an artistic collaborator and performer with Kim Lusk, Kinesis Project, Scott Shoemaker’s “:PROBED”, and BenDeLaCreme and Jinkx Monsoon’s Holiday Special in the live, national tour and on Hulu. Shane graduated from the University of Wisconsin – Stevens Point with a BA in Dance.